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YUN¡¡
[Àü½Ã]¿ì¸®,ÇÒ¸Ó´Ï,Å»¿µ¿ª¿ìÁ¤±¹,2022.9.5~25

¿ì¸®, ÇÒ¸Ó´Ï
2022. 9. 5(¿ù) – 2022. 9. 25(ÀÏ), 1300:-19:00 ÈÞ°üÀÏ ¾øÀ¾

¿ÀÇÁ´× : 2022³â 9¿ù 5ÀÏ(¿ù) ¿ÀÈÄ 5½Ã

Âü¿©ÀÛ°¡ : °­¼­°æ, »ç¸¸´Ù ´Ï, ¸ð½ºÅ¸ÆÄ »çÀÌÇÇ ¶óÈ幫´Ï, Á¶À̽º ºô¶õµå, ¿À¼®±Ù, Æ®Èê·¿ ÆÞ ¿ÍÀ̽ºÅÓ, À±¼®³², Á¤Àº¿µ, Â÷ÁøÇö

Àü½Ã±âȹ : ¹®¼±¾Æ

Çù·Â±âȹ : ¹Ú¹ÌÁÖ

ÁÖÃÖ.ÁÖ°ü : ½ºÆäÀ̽º ¾ÆÇÁ·Î¾Æ½Ã¾Æ (http://spaceafroasia.com)

ÈÄ¿ø : Çѱ¹¹®È­¿¹¼úÀ§¿øÈ¸¡¤½Ã°¢¿¹¼úâÀÛ»ê½Ç

Çù·Â : Å»¿µ¿ª¿ìÁ¤±¹

¿äÁîÀ½ÀÇ Çѱ¹Àº ¹Ù¾ßÈå·Î ¡®Çø¿ÀÀÇ ½Ã´ë¡¯¶ó°í º¸¾Æµµ ¹«»öÇÒ Á¤µµ·Î ŸÀÎÀ» ´ë»óÈ­Çϰí ÀϹÝÈ­ÇÏ¿© ¾ö°ÝÇÑ µµ´öÀû Àã´ë¸¦ µéÀÌ´ë´Â °æÇâÀÌ ÀÖ´Ù. ±×·¯³ª ±Ù°Å¸®¿¡¼­ Á÷Á¢ÀûÀ¸·Î °æÇèÀ» ÇÏÀÚ¸é, ¿ì¸®´Â ¸ðµÎ ¡®Àΰ£¡¯°ú ¡®Àΰ£¡¯À̶ó´Â ¡®ÇÔ²²ÀÇ °ü°è¡¯ ¼Ó¿¡ ÀÖ´Ù. Àü½Ã <¿ì¸®, ÇÒ¸Ó´Ï>´Â ³²³à³ë¼Ò ±¸ºÐ ¾øÀÌ ÇÔ²² °ø°¨ÇÒ ¼ö ÀÖ´Â ÇҸӴϵéÀ» Àü½ÃÀåÀ¸·Î ÃÊ´ëÇÔÀ¸·Î½á ³²³à-¼¼´ë °£ÀÇ ºÐ¸®¸¦ ¶Ù¾î³Ñ¾î ÇÔ²²ÀÇ °ü°è¸¦ ȯ±âÇϰí, ¼­·Î¿¡ ´ëÇÑ ÀÌÇØÀÇ ÀÚ¸®¸¦ ¸¶·ÃÄÚÀÚ ÇÑ´Ù.

Ãß»óÀûÀÎ Àǹ̷μ­ ÇÒ¸Ó´Ï´Â Àڽĵé°ú ¼ÕÁÖµéÀ» µ¹º¸¸ç µû¶æÇϰí Ǫ±ÙÇÔÀ» ¼±»çÇÏ´Â, °¡Á¤À» À§ÇØ Çå½ÅÇÑ Æ÷¿ë·Â°ú Èñ»ýÀÇ ¾ÆÀÌÄÜÀ¸·Î Á¸ÀçÇÑ´Ù. ÇÑÆí, ÇÒ¸Ó´Ï´Â Á¦µµ¸¦ ¼öÈ£ÇÏ´Â ¿Ï°íÇÑ ¿©¼º»óÀ» »ó¡Çϱ⵵ ÇÑ´Ù. ¾î¶² ÇÒ¸Ó´ÏÀ̵ç, ±× »îÀ» µé¿©´Ùº¸¸é °Ýº¯ÀÇ ½Ã´ë¸¦ °Þ¾î¿Â ´©±º°¡ÀÇ µþÀ̾ú°í, ´©À̰ųª ¾ð´Ï¿´°í, ¾ö¸¶¿´°í, ¾Æ³»¿´°í, ±× ½º½º·Î¿´À» ¾ÆÁÖ ´Ü´ÜÇÑ ¿©¼ºµéÀÌ´Ù. ±× ÁÖ¸§»ì¿¡´Â ÀÎÀÚÇÔÀ̳ª ¿Ï°íÇÔ »Ó¸¸ ¾Æ´Ï¶ó ±× ½Ã´ëÀÇ ±â·ÏÀڷμ­ÀÇ ¼¼¿ùÀÌ ÄÑÄÑÀÌ ½×¿©ÀÖ´Â ¼ÀÀÌ´Ù. ÇØ¼­ ¿ì¸®³× ÇÒ¸Ó´ÏÀÇ »îÀ» µ¹¾Æº¸°í ÇÒ¸Ó´Ï¿Í ÇÔ²²ÇÏ´Â ½Ã°£À» ´Ù½Ã±Ý ¸¶·ÃÇÏ´Â ÀÏÀº, °ú°Å(ÇöÀç)¸¦ ÅëÇØ ÇöÀç(°ú°Å)¸¦ ÀçÇØ¼®ÇÏ°Ô ÇÏ°í »õ·Î¿î ¿¬´ë¸¦ ¸¶·ÃÇÒ °ÍÀÌ´Ù. Àü½Ã´Â Å©°Ô ¡®ÇÒ¸Ó´ÏÀÇ Àϱ⡯, ¡®½Ã´ëÀÇ ÇÒ¸Ó´Ï¡¯, ¡®ÇÒ¸Ó´Ï µÇ±â¡¯ ÃÑ ¼¼ ³ëµå(node)·Î ±¸¼ºµÇ°í, ÀÌ´Â °ß°íÇÑ ¼½¼ÇÀ» ±¸¼ºÇѴٱ⺸´Ù °³³äÀû¡¤°ø°£ÀûÀ¸·Î ¼­·Î ±³Â÷ÇÑ´Ù.

grandmothers
Dates : 2022.09.05 (Mon) – 2022.09.25 (Sun), No Holidays during the exhibition

Hours : 1pm – 7pm

Opening Reception : 2022.09.05 (Mon) 5pm

Artists : Jinhyun Cha, siren eun young jung, Suki Seokyeong Kang, Samantha Nye, Oh Suk Kuhn, Mostafa Saifi Rahmouni, Tchelet Pearl Weisstub, Joyce Wieland, Yun Suknam

Curator : Sun A Moon

Associate Curator : Mijoo Park

Hosted and Organized by Space AfroAsia (https://spaceafroasia.com)

Supported by Arts Council Korea

Cooperated with Post Territory Ujeongguk

People these days tend to objectify and generalize others and impose strict moral standards. However, in a close look, we are all in a ¡®relationship with each other.¡¯ grandmothers aims to evoke a relationship that transcends diverse gender and age and to create a space for understanding each other by inviting grandmothers.

In an abstract sense, grandmothers exist as icons of tolerance and sacrifice dedicated to their family, providing warmth by caring for their children and grandchildren. On the other hand, the grandmothers also symbolize the stubborn women who protect the system. No matter what kind of grandmother is, she is a very solid woman who must have been someone¡¯s daughter, sister, mother, wife, and herself who has gone through a period of upheaval. In her wrinkles, not only kindness and stubbornness, but also the years are piled up one after another. So, looking back on our grandmothers¡¯ lives and preparing time together will allow us to reinterpret the present (past) through the past (present) and establish a new solidarity. The exhibition is largely composed of three nodes; ¡®grandma¡¯s diary¡¯, ¡®grandma in the ages¡¯, and ¡®becoming grandma¡¯, which intersect conceptually and spatially rather than composing solid sections.

»çÀÌÆ®¹Ù·Î°¡±â: http://ujeongguk.com/grandmothers/



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